EL PAS PER LA PORTA ESTRETA: RIUS I MUNTANYES EN NITS D’ESTIU [THE PASSAGE THROUGH THE NARROW DOOR: RIVERS AND MOUNTAINS ON SUMMER NIGHTS]
Bricks of abode and river clay, and clay of the mountain, transference of photography on a cold-laminated steel sheet, metallic profiles, steps made of steel, transference on methacrylate, LED torch, projection and wiring. Variable measurements. From the very beginning, this work has tried to remain at a point of blindness, without being able to imagine the end; that is why these modular pieces have been chosen, almost identical in their form, but not in their substance. The modules, in the form of bricks, plates and profiles, configure an architecture that manages to superimpose meanings which, as if one word were written on top of another, are crossed out to become illegible. The search for the constant crossing out, the clean illegibility of objects and forms are an approach to not saying, to not seeing.
EL PAS PER LA PORTA ESTRETA: RIUS I MUNTANYES EN NITS D’ESTIU [THE PASSAGE THROUGH THE NARROW DOOR: RIVERS AND MOUNTAINS ON SUMMER NIGHTS]
Bricks of abode and river clay, and clay of the mountain, transference of photography on a cold-laminated steel sheet, metallic profiles, steps made of steel, transference on methacrylate, LED torch, projection and wiring. Variable measurements. From the very beginning, this work has tried to remain at a point of blindness, without being able to imagine the end; that is why these modular pieces have been chosen, almost identical in their form, but not in their substance. The modules, in the form of bricks, plates and profiles, configure an architecture that manages to superimpose meanings which, as if one word were written on top of another, are crossed out to become illegible. The search for the constant crossing out, the clean illegibility of objects and forms are an approach to not saying, to not seeing.