BORD COLLECTIVE

The bord collective group is made up of Aina Canyelles, Iris Verge and Eduard Olesti. We are three individuals involved in very different fields such as journalism, design, neighbourhood activism, communications, illustration, philology and stage management.

As a collective, we consider it essential to install artistic discourses from a perspective of responsibility for the place occupied by cultural production in contemporary society. This is why we are committed to practices that respond to the three primary areas involved in the class perspective: anticapitalism, feminism and antiracism.

We think that art is a communication tool and therefore offers the potential to alter gazes, actions and social movements. However, we believe that artistic practice is often entropically alienated in artistic circles and fails to take into account the reality of women residents who do not have access to certain cultural capitals.

For these reasons, we think that art should be collectivised rather than sectorised.

We therefore ask ourselves how we can convey these debates around the link between artistic practice and political transformation processes involving a return to society. Whilst we are aware of the complications this task entails, we firmly believe in the potential of artistic and cultural mediation. This is why one of our main objectives is to establish direct dialogues between political movements, collectives and communities.

BORD COLLECTIVE

The bord collective group is made up of Aina Canyelles, Iris Verge and Eduard Olesti. We are three individuals involved in very different fields such as journalism, design, neighbourhood activism, communications, illustration, philology and stage management.

As a collective, we consider it essential to install artistic discourses from a perspective of responsibility for the place occupied by cultural production in contemporary society. This is why we are committed to practices that respond to the three primary areas involved in the class perspective: anticapitalism, feminism and antiracism.

We think that art is a communication tool and therefore offers the potential to alter gazes, actions and social movements. However, we believe that artistic practice is often entropically alienated in artistic circles and fails to take into account the reality of women residents who do not have access to certain cultural capitals.

For these reasons, we think that art should be collectivised rather than sectorised.

We therefore ask ourselves how we can convey these debates around the link between artistic practice and political transformation processes involving a return to society. Whilst we are aware of the complications this task entails, we firmly believe in the potential of artistic and cultural mediation. This is why one of our main objectives is to establish direct dialogues between political movements, collectives and communities.