Performances: UN PAISATGE REVERBERANT, LABERÍNTIC, FANGÓS, DENS I ESTRELLAT

DATE:
SATURDAY 9TH OF NOVEMBRE AT 18H

PLACE:
LA CALDERA
C. EUGENI D’ORS, 12

CREDITS

CURATED BY:
AMOR RUMOR (BLANCA ARIAS AND EDU R. PINEDA).

ARTISTS:
MIKEL ADÁN TOLOSA
IRENE ROJO
TERESA W ・*:。.。:*・゜゚・*
MIREIA MOLINA COSTA
ALICIA ARÉVALO

GRAPHIC DESIGN:
VERO SANTANA

PHOTOGRAPHY:
IRENE ROYO

IN COLLABORATION WITH:
LA CALDERA

 

 

JORNADA DE PERFORMANCE. UN PAISATGE REVERBERANT, LABERÍNTIC, FANGÓS, DENS I ESTRELLAT.

PROGRAMME

18.00-18.15h –  del més enllà, teresa w ・*:。.。:*・゜゚・*

18.20-18.50h –  Carn i pedra, Mikel Adán Tolosa and Irene Rojo

19.05-19.40h –  ama ara l’eco nua, Mireia Molina Costa

19.50-20.15h – Magical Theys, Alicia Arévalo

del més enllà 

Artist: teresa w ・*:。.。:*・゜゚・*

Format: Performance
Credits: With the support of Beques per a la Recerca i la Innovació en l’àmbit de les Arts Visuals, Es Far Cultural, ACVIC, l’Escola d’Art de Vic and Centre Cívic Guinardó.

Acknowledgements: Júlia Suñer, Alba Mendoza, Mireia Cuesta, Estel Boada, Martina Petric, Fito Conesa, Joan Claudi Minguell, Albert Gironès López, Albert Gironès Vallverdú, Diego Simone and the team at Sala d’Art Jove.

Description: Among stars and weightless wiring teresa w ・*:。.。:*・゜・* presents the trace of a sonorous investigation with which we can rethink how space-time is articulated after death. What limits does a body without matter have? What space does that which overflows with space occupy? What overlapping times do we find beyond time itself? What do those who are no longer here sound like? Linking voices from various generations, the piece constructs a score of gestures or a choreography of sounds that invite us to imagine a speculative and polyphonic beyond. With sound as a guide, we cross the veil that separates the dead and the living, the visible and the invisible, to travel in a collective ritual through nothingness.

Carn i pedra

Artists: Mikel Adán Tolosa and Irene Rojo

Format: Dance piece
Credits: With the support of La Caldera 

Description: With the desire to explore synergies between disciplines, the sculptural practice of Mikel Adán Tolosa and the dance of Irene Rojo begin a conversation in which the gesture softens the sculpture and, at the same time, the sculpture seeks – without finding an answer – ways in which to fix the movement of a body that does not stop. From an extended contact between dance and sculpture, between contact improvisation and new materialisms, Mikel and Irene invite us to make the limits between body and matter, subject and object, process and result more flexible.

ama ara l’eco nua 

Artist: Mireia Molina Costa

Format: Sound action

Description: We dive into the aquatic depths to listen to how the sea sings an habanera. Changing the logic of this musical genre – so closely linked to Catalan folklore as well as to its colonial legacy – Mireia Molina Costa offers us the possibility of a new kind of listening through hydro-feminist consciousness. Resounding through the depths of the sea, these melodies ask us: what new sounds emerge from the salty mouth of the water? Non-human vibrations, magical chants of the women of water, the silences that still murmur in the violence of transatlantic routes. In this way, the habaneras are transformed into a device that allows us to pay attention to all the stories that rush in, to the rhythm of the sea, between each and every wave.

Magical Theys

Artist: Alicia Arévalo

Format: Performance
Credits: With the support of L’Estruch Fàbrica de Creació and Centre Cívic Casa Golferichs

With the accompaniment of Guillem Jiménez. Costume by Noina Espinos. 

Description: Magical Theys is an exploration of the archetype of the gentleman as an imagined speculation from non-binary gender and the anime Magical Girls. The performance is set up as a Henshin, common scenes in this kind of anime in which the characters are magically transformed through the change of clothing. This time-dilated metamorphosis has different phases where male and female performativities and everything in between are explored through reinterpretations of medieval songs such as the 15th century romance The Warrior Maiden.